Milan
Endless, the first Italian solo show of the internationally recognized designer, presents a series of fine art works deriving from Lovegrove's personal research brought forward with the Liquid Collection, already included in the exhibition Endurance at Phillips De Pury, New York in 2007.
An essential addition to any designer's book collection, Knoll Textiles 1945-2010 provides an in-depth analysis of Knoll's contribution to modern design. With essays by experts, biographies of about eighty designers, and images of textiles, drawings, furniture, and ephemera, Knoll Textiles, 1945-2010 is the first comprehensive study devoted to a leading contributor to modern textile design.
London
W Hotel Leister Square is hosting the Wow Bikes fundraiser for the Elton John Aids Foundation. Six bikes have been commissioned to be designed by iconic creatives such as Ron Arad, Paloma Faith, and Temperley.
Tawian
Nendo presents a solo show at the Taiwanese government-sponsored National Taiwan Craft Research and Development Institute featuring two of their collections. ‘thin black lines’ is a collection of furniture formed from ‘still black’, so nendo wanted to use ‘active black on white’ for the exhibition space.
Los Angeles
Rethink LA, a collaboration of forward- thinking volunteers in the Los Angeles architecture, planning, motion graphics and design community, are exhibiting August 4 - September 4 2011 at the A+D Museum.
Thonet today, as in the past, is considered a pioneer of furniture design throughout the world.
The company was established in 1819 by Michael Thonet to produce his own designs, using the then new bentwood process, which he developed. Within a short period of time it became a major furniture manufacturer with a global distribution network.
Known to all and very familiar, this bentwood classic reveals its uniqueness at second glance: the armrests are harmonically integrated into the extended backrest; two curved bentwood elements connect the armrests with the seat. They provide stability and, at the same time, a certain flexibility that makes sitting on this chair very comfortable.
Known to all and very familiar, this bentwood classic reveals its uniqueness at second glance: the armrests are harmonically integrated into the extended backrest; two curved bentwood elements connect the armrests with the seat. They provide stability and, at the same time, a certain flexibility that makes sitting on this chair very comfortable.
Known to all and very familiar, this bentwood classic reveals its uniqueness at second glance: the armrests are harmonically integrated into the extended backrest; two curved bentwood elements connect the armrests with the seat. They provide stability and, at the same time, a certain flexibility that makes sitting on this chair very comfortable.
This elegant bentwood classic is a masterpiece in its construction and production: the projecting frame that forms both the backrest and armrest is bent into its form from a single piece of solid beech wood. Like the original model of all bentwood chairs, no. 214, chair no. 209 also consists of only six parts.
This elegant bentwood classic is a masterpiece in its construction and production: the projecting frame that forms both the backrest and armrest is bent into its form from a single piece of solid beech wood. Like the original model of all bentwood chairs, no. 214, chair no. 209 also consists of only six parts.
This elegant bentwood classic is a masterpiece in its construction and production: the projecting frame that forms both the backrest and armrest is bent into its form from a single piece of solid beech wood. Like the original model of all bentwood chairs, no. 214, chair no. 209 also consists of only six parts.
This elegant bentwood classic is a masterpiece in its construction and production: the projecting frame that forms both the backrest and armrest is bent into its form from a single piece of solid beech wood. Like the original model of all bentwood chairs, no. 214, chair no. 209 also consists of only six parts.
This elegant bentwood classic is a masterpiece in its construction and production: the projecting frame that forms both the backrest and armrest is bent into its form from a single piece of solid beech wood. Like the original model of all bentwood chairs, no. 214, chair no. 209 also consists of only six parts.
The famous coffee house chair is an icon and considered the most successful mass produced product in the world to date: it initiated the history of modern furniture. The basis was a new technique - the bending of solid wood - that Michael Thonet developed and perfected during the 1850s and it was the first time serial furniture production was possible.

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